Media Industries and AI Research Initiative

With the roll-out of artificial intelligence tools (AI) in all areas of the media industries, there is a growing need for scholarly analysis of the ways systems of automation, predictive analytics, and recommendation are transforming film, television, gaming, music, and other forms of digital entertainment. Media scholars have already begun to conduct important research in this area. AI tools such as Showrunner AI, Deep Editor, Respeecher, and Runway Gen-3 are transforming the production of media content and the roles of creative workers from actors, cinematographers, and editors to sound designers and makeup artists. There is a long history of technological change in the entertainment industries, but the current conjecture has brought sudden and dramatic transformations that demand investigation by media industry and technology scholars.

The Carsey-Wolf Center (CWC) at UC Santa Barbara has assembled a team of academic researchers for a new initiative on Media Industries and AI led by Professors Jennifer Holt, Ross Melnick, and Lisa Parks. The initiative has funded fourteen groundbreaking projects from twenty-one scholars who represent universities in fifteen countries and three continents. Researchers will be meeting at UCSB in spring 2026 to discuss their work and then return in fall of 2027 to present their findings.

Project Links

team members

  • Jennifer Porst (Emory University), “Regulating Authorship and Creativity: IP Law, AI, and Hollywood”
  • Lianrui Jian (University of Sheffield) and Weixiang Wang (University of Nottingham), “AI and Social Media Entertainment”
  • Jeremy Morris (University of Wisconsin-Madison) and Derek Johnson (University of Wisconsin-Madison), “Artificial Audio, Real Work: The Promises, Problems and Practices of AI in the Music and Sound Industries”
  • Jennifer Holt (University of California, Santa Barbara) and Lisa Parks (University of California Santa Barbara), “Cultural Capital: The Political Economy of AI and Generative Media”
  • Jennifer Hessler (University of Southern California), “Engineering Synthetic Audiences: The AI-generated Audience and its Implications for the Digital Television Industry”
  • Ross Melnick (University of California, Santa Barbara), “Exhibiting Change: The Impact of AI on Global Film Distribution and Exhibition”
  • Benjamin M. Han (University of Georgia), “Harmonization of Policies, Digital Infrastructure, and the South Korean Media Industry in the Age of Artificial Intelligence”
  • Gejun Huang (Xi’an Jiaotong-Liverpool University) and Lars de Wildt (University of Groningen), “Level Up Game Production: A Comparative Analysis of AI Production Logic in the US and Chinese Game Industries”
  • Gregory Steirer (Dickinson College), “Media Industry Development of Artificial Intelligence Legal Frameworks”
  • Pei-Sze Chow (Nanyang Technological University) and Yearry Panji Setianto (Universitas Multimedia Nusantara, Indonesia), “Precarious Futures: Media Labor, Creative Work, and AI in Southeast Asia”
  • Miranda Banks (Loyola Marymount University), “Promises vs Practical AI: A Case Study of Hollywood Craftwork and Crafts Workers”
  • Laila Shereen Sakr (University of California, Santa Barbara) and Cathy Thomas (University of California, Santa Barbara), “Developing Regulatory Frameworks Through Participatory Research Methodologies”
  • Rosita Scerbo (Georgia State University) and Kate Fortmueller (Georgia State University), “Synthetic Voices, Precarious Labor: AI and Voice Acting in the Video Game Industry”
  • Dal Yong Jin (Simon Fraser University), “Use of AI in Cultural Production in the Korean Screen Industries”

Publications

Panel discussion for the launch event for the initiative on October 25, 2025: “Media Industries and AI: Emerging Trends and Critical Conversations” https://youtu.be/JflRqqIBZTU